Arts · Culture · Business
Building
the un-
expected.
I'm as comfortable in an auction house as in a Series D startup. I work in both worlds and I connect them.
What I do →
What I Do
Four ways I show up.
I work across a range of contexts, but everything connects back to the same through-line: opening doors, building, and expanding what people think is possible.
Full overview →01
You want access.
You need to reach curators, collectors, institutions, or cultural players and you're not sure who to call or how to frame it. I do.
02
You need operations.
You're running an arts organization and the infrastructure isn't keeping up with the vision. I build that infrastructure.
03
You need strategy.
You're figuring out how to engage with the art world seriously and need someone who speaks both languages. I've been doing that my whole career.
04
You want programming.
You want to build something that brings people together around culture. I can help design it and run it.
Selected Work
Where I've been.
What I've built.
About
"To build the unexpected, so that I continuously expand my own limits and enable others to do so as well."
Art world.
Business world.
Both.
I go where I'm curious. I've worked in global art markets, built startups from scratch, gotten deep into the San Francisco arts scene, and written about what it means to have culture in a city that keeps asking whether it does. The arts bring richness and color to how people live. The people working to build that deserve strategic and operational support. That's what I do.
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